Cloudpunk mods3/13/2023 In some ways, it’s as if Cloudpunk is a love letter to the greatness that was Blade Runner and the world it created. Even the opening note of the game echoes the opening note of OG Blade Runner. What’s also wonderful is the Vangellis-inspired soundtrack which punctuates the soundtrack in Cloudpunk. The game’s not afoot, it belongs in the air. The voice acting is a little hit and miss at times, but Rania, Control and Camus are voiced wonderfully. The ageing android PI who speaks like he’s reading the pages of a hardboiled detective novel The financial advisor who works for the firm Anderson Financial that only has employees with the surname Anderson The nightclub owner who has hidden agenda when he befriends Rania The CEO who lives in the highest tower in the city and has never ventured below. Rania isn’t alone in her journey: Her vehicle’s AI is the stored memory of her former dog, Camus (who has an avatar of a border collie) and the voice of Control, who offers solace and advice as she finds her way across Nivalis, and she will meet a variety of character as the story unfolds. Remember e arly in the movie (if you’ve seen it, you will, but if you haven’t seen it: Why not?) when Corbin Dallas (Bruce Willis) is driving through the city and has to dodge oncoming traffic? Cloudpunk is like that, with Rania having to navigate around skyscrapers and precincts, and visit repair shops from time to time after one many fender bender with an oncoming vehicle. Driving through the city has a real The Fifth Element feel, too. Giant neon billboards bath buildings in a bright, neon glow light trails from the flying vehicles punctuate the brightly lit highways that weave through Nivalis like capilliaries and veins Flames billow from tall smokestacks (like in the opening moments of the original Blade Runner) Exhaust fans cast shadows through the dim shadows Sirens wail as police vehicles pursue a fleeing driver. When Ray McCoy stands on his apartment balcony early on in the game. This scene is reminiscent of the scene in Westworld’s Blade Runner game. The first thing that smacks you in the head is Cloudpunk’s amazing visual aesthetic, which is created by voxel graphics and is a real mash of gloom and neon. For delivery company Cloudpunk, which skirts just outside the boundaries of legal.Īs the night wears on, Rania soon discovers that there is more to Nivalis – and the AI that is intertwined in its very fabric – than meets the eye. Over the course of a night, criss-crosses across the city’s various districts delivering parcels – and sometimes people. Rania finds work as a delivery/courier driver. Where the rich live in tall towers, never mixing with the little people, while the poor rummage around the streets just trying to survive. A dystopian city where AIs, human and mechanical have merged into one giant melting point. You play as Rania, a newcomer to the city of Nivalis. A damn good looking child, if I say so myself, that I’m sure it’s parents ( ionlands) would be so proud of what it has achieved. Take Blade Runner’s dystopian and neon-lit bleakness and The Fifth Element’s chaotic driving and downright craziness and you’ve got their offspring: Cloudpunk. Cloudpunk is what I’d imagine the offspring of movies Blade Runner and The Fifth Element would look like – if Blade Runner & The Fifth Element got cozy for a night, that is.
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